Every element pairs a humanist gesture with a machine gesture: Caslon prose against monospace data, ink drawing against plotter line, the golden section beside its own equation. Proportion is not decorated — it is shown with its working.
Stroke 1.8px · Fill none · Radius 0Libre Caslon carries the prose — the closest free descendant of William Caslon's 1722 cuts, the face of the Declaration of Independence. Courier Prime annotates — the typewriter voice, the first machine that wrote.
Caslon Disp/Text · Courier Prime · Scale 1:1.333The illuminator's pair: ultramarine ground from lapis lazuli, gold leaf on the initials. Five centuries later the same two read as electric blue and circuit-board gold. Ink is blue-black; paper is cold.
The page is a drawing sheet: framed border, registration marks, title block. Construction lines stay visible — the scaffolding is the ornament. Shadows are sfumato, never dropped. Corners do not exist.
Construction 0.5px @ 25% · Figure 1.2–1.9pxLeonardo's plates for Pacioli's treatise rendered the regular solids as skeletal frames — faces open, structure visible. The dodecahedron is the φ solid: twelve pentagons, every diagonal in golden ratio to its side. Here it turns under the same convention: paper faces, ink edges, hidden lines held faint, vertices marked in gold.
THREE.EdgesGeometry · Hidden 12% · Click → proximum corpusHe filled folios tracing turbulence with a pen — vortices, eddies, braided currents. Here the same study is run by machine: nine hundred streamlines advected through a vector field, inked stroke by stroke. Each study is numbered by its seed; no two are alike, all obey the same field.
Click → another study · Streamlines 900 · Ink 0.6pxSimplicity is the ultimate sophistication — the constraint this system enforces.
One drawing per view. Two pigments. Zero radii. Everything else is prose in service of the figure.